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Muhammadunize

by Muslimgauze

/
1.
Devour 09:56
2.
Devour 09:52
3.
Khalifate 09:39
4.
Imad Akel 08:05
5.
Khalifate 09:47
6.
Imad Akel 06:20
7.

about

Muhammadunize" It is a good dense collage atmosphere. From everywhere shoots drums, Palestinian word-scraps give the total radio play-character. One feels when hearing this release as if the Gaza-strip is mastered from an outsize echo-appliance

Muhammadunize, has what could be called a classic feel to it, with a very familiar blend of drones, string instruments, and synths, and varying percussion/break-beat patterns, in turn mixed with a number of hard-to-catch vocal samples. It's a formula used many times in the past by Jones, yet somehow he still manages to keep things just fresh enough, investing songs like the first and second "Khalifate" and especially both slamming versions of "Imad Akel" with enough unexpected touches. He incorporates the basic power of his work in the tracks as well, with both beauty and a nervy, hard-to-define tension as the songs progress.

credits

released May 26, 2020

Recorded and mixed at Abraham Mosque, Manchester 1996. Dedicated to a Palestinian State. Free from Zionist abuse of human rights.
re-release of Muslimlim 009

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all rights reserved

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about

Muslimgauze Berlin, Germany

Muslimgauze occupied a strange place in the musical world. He was a powerful, prolific innovator, releasing albums that were alternately beautiful and visceral, full of ambient electronics, polyrhythmic drumming and all kinds of voices and sound effects. The recordings earned him a devoted following in underground, experimental and industrial music circles worldwide.

The New York Times 1999
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