Jerusalaam, by Muslimgauze

Jerusalaam

by Muslimgauze

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Includes unlimited streaming of Jerusalaam via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.

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	1.	Istambul Liqueur 06:36
	2.	All The Stolen Land Of Palestine 05:57
	3.	Lozenji Of Pure Gold 02:19
	4.	The Zion Terrorist 01:58
	5.	Outside Night 02:52
	6.	Girl Of The Sahara 02:16
	7.	Tanger Blanc Return 03:33
	8.	Under The Burka 03:46
	9.	Sufiq Gulf Breeze 1-2 02:45
	10.	Sufiq Gulf Breeze 3 03:04
	11.	Hessian Bag Of Camel Parts 03:40
	12.	Sawhand Dafinda 08:32
	13.	Sawhand Dafinda 03:40
	14.	[Untitled] (Unused Return of Black September Track) 14:51
	15.	[Untitled] (Unused Return of Black September Track) 08:16

about

Jerusalaam plus the two extra tracks make up unused material from the Return of Black September sessions.

The contrast, even for someone with as wide a range as Muslimgauze had, is stunning. The original Jerusalaam fits in with much of Bryn Jones’ classic work, with a heavy emphasis on hand percussion, bass-heavy distortion, sharply clipped loops, and the seething his of static. The two otherwise unnamed Return of Black September tracks, however, follow that album in taking a much more cleanly digital feel, with many of the elements Jones usually uses present but in more stripped down or even mechanized forms. The relatively clean pulse of these two longer compositions serve as a refreshing contrast next to the hand- and tape-made feel of tracks like “All the Stolen Land of Palestine” and “Hessian Bag of Camel Parts”, an invigorating reminder of the breadth and vitality of Jones’ work even now

credits

released May 26, 2020

"Dedicated to all Palestinian freedom fighters, victims of zionist terrorism. The patience in the face of Israeli violence towards them is a great quality they possess, to retaliate is justified."

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about

Muslimgauze Manchester, UK

Muslimgauze occupied a strange place in the musical world. He was a powerful, prolific innovator, releasing albums that were alternately beautiful and visceral, full of ambient electronics, polyrhythmic drumming and all kinds of voices and sound effects. The recordings earned him a devoted following in underground, experimental and industrial music circles worldwide.

The New York Times 1999 ... more

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