Jaagheed Zarb, by Muslimgauze

Jaagheed Zarb

by Muslimgauze

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1.	Jaagheed Zarb 06:38	buy track
2.	Fazal Mahmood On Jute 05:09	buy track
3.	You Have Limbs And Baksheesh 03:19	buy track
4.	Zionist Leather Clad Koran 02:00	buy track
5.	Sari Of Human Hair 05:27	buy track
6.	Turn Left For Jabaliya 06:10	buy track
7.	Iranian Silkworm 03:49	buy track
8.	Turn Right For Jabaliya 03:24	buy track
9.	Sari Of Dog Hair 04:34	buy track
10.	Zingiber 03:16	buy track
11.	Kiss Of Deceit 05:28	buy track
12.	Melt 02:40	buy track
13.	Vinoo Mankad Option 08:45	buy track
14.	Hafeez Kardar 07:55	buy track
15.	Nadir Bedu 04:35	buy track

about

Jaagheed Zarb introducing almost funky hip-hop beats, interspersed with vocal snippets, and on the first track a static-y loop and eerie nay (a Middle Eastern flute) whispering through it all. In case you forgot about his signature terrifying low-end, it permeates both albums in abundance, especially on the minimal bowel-rumbling "Fazal Mahmood on Juke," the Prodigy on a broken spring track "Turn Left for Jabaliya," and amid the laid-back, rhythmic assassin, call-to-arms "Iranian Silkworm." A few more surprises lurk on this album including the space at the end of "Fazal Mahmood" -- escaping from the tape hiss is a tinny, straightforward bazaar jam, as if recorded through a boombox in a crowded market -- and the last part of "Hafeez Kardar," where extended seconds of radio fuzz oscillate from subtle noise to crystallized tabla and percussion, filtering through like sand. It skitters into the last track, electronics gobbed onto background noise and monolithic electronics.

credits

released May 25, 2020

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about

Muslimgauze Manchester, UK

Muslimgauze occupied a strange place in the musical world. He was a powerful, prolific innovator, releasing albums that were alternately beautiful and visceral, full of ambient electronics, polyrhythmic drumming and all kinds of voices and sound effects. The recordings earned him a devoted following in underground, experimental and industrial music circles worldwide.

The New York Times 1999 ... more

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