Hamas Cinema Gaza Strip

by Muslimgauze

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Full Digital Discography

102

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Get all 102 Muslimgauze releases available on Bandcamp and save 35%.

Includes unlimited streaming via the free Bandcamp app, plus high-quality downloads of Hammer & Sickle, No Human Rights For Arabs In Israel (The Remix), Muslimgauze Memorial Mix Part 4, Port Said audio NL, The Remix, Home demo tracks, eye for an eye, Muslimgauze Memorial Mix Part 3, and 94 more. , and , .

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1.	Yasser Arafat In Tunis 12:16	buy track
2.	Hamas Cinema Gaza Strip 08:05	buy track
3.	Hezbollah Radio Advert 07:42	buy track
4.	zlamiq Groupe 09:39	buy track
5.	Shadabuddin Ghauri 02:22	buy track
6.	Jerusalem Artichoke 06:51	buy track
7.	Rent A Hookah 08:09	buy track
8.	Balti Utensil 11:47	buy track

about

Hamas Cinema Gaza Strip, is a superior disc by all counts. Not only is there a consistent flow to the tracks, the production itself seems to be of a higher quality. Here, Muslimgauze has produced a more "cinematic" version of his music. Long passages of filmic dialogue traverse over the sparse beats contained within, and the results are mesmerizing. This is perhaps the strongest disc since 1997's excellent Narcotic.
The title track a mystical blend of reverberating strings and a steady break beat, with peacocks calling softly in the distance and live drumming played over top of it all. The results are irresistibly magical. Tracks that follow settle into the more ambient terrain that was explored on Gun Aramaic, but soon after comes a most energetic number called "Jerusalem Artichoke." Perhaps the only misstep on the disc is the track "Rent a Hookah," which has a more abrasive construction. The closing number, "Balti Utensil" is a staccato excursion that will prick up your ears before settling towards its dubbed-out final moments.

credits

released May 25, 2020

All tracks written/played 1998.
Tracks 2, 4 and 5 recorded at The Abraham Mosque, Manchester.

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about

Muslimgauze Berlin, Germany

Muslimgauze occupied a strange place in the musical world. He was a powerful, prolific innovator, releasing albums that were alternately beautiful and visceral, full of ambient electronics, polyrhythmic drumming and all kinds of voices and sound effects. The recordings earned him a devoted following in underground, experimental and industrial music circles worldwide.

The New York Times 1999 ... more

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